MOTION+DESIGN
| 2D, A BIT OF 3D, AND A WHOLE LOTTA LOVE |
Design that moves, flows, and brings stories to life. From playful animations to creative explorations, I craft motion that captivates, entertains, and just sometimes (if you watch closely), breaks into a little happy dance.
Motion+Design Reel : contains both client & personal projects.
I DESIGNED & ANIMATED EVERYTHING FROM THIS REEL, except @ 0:20-0:21sec - ANOTHER artist DesignED & AnimateD the 3D characters,WHILE I ART DIRECTED + DID THE FINAL COMP.
The Title Sequence for an award-winning feature film, “GAJIN SVET”, created in 2018.
It’s also an homage and a tribute to awesome studios and individuals that have been inspiring me throughout my animation career.
“Bunny knows his family must still be out there somewhere - his little rabbit heart can feel it. “I will find them,” he vows to himself, “Mommy always says that I’m her clever little bunny!” His adventures in Nowhere will require great courage and a very smart rabbit brain. Bunny is ready.”
One day in high school, the title ”BUNNY KING OF NOWHERE” just appeared to me. I knew it right then: someday, I’ll bring Bunny King to life.
How to explain: “Why Time Zones Are No Longer Obstacles for Successful Teams”?
Well, like this. Created and coordinated with a global team for SLACK, a powerful collab with FOX & CO. DESIGN.
How is your home country going to be like in 2050? A 2017 visual and narrative exploration made for the Ministry for Economic Affairs of Slovenia. Visual Narrative Development, Direction, Art Direction, Design, Animation & Compositing - ALL DONE by TWO artists in three weeks.
THE GIANT HAND FROM GALAXY X! EVEN LASERS CANNOT DESTROY IT! It will seal the doom of an unprepared humankind! Flashback from “THE GIANT HAND FROM GALAXY X”, a '50s Sci-Fi B-Movie Homage, done in 2013!
“Hip Artificial Intelligence or H.A.I. for short, is available in two colors. The last & final choice you will ever have to make!
TECHNICAL SPECS: Speed: 3x 10.000.000 choices / msec, Battery: Self-sustainable, I/O: 1x USB4, 3x Firewire 400.
Can manage households, companies or planets.”
Ending shot from “H.A.I. - Hip Artificial Intelligence” - a suggestive mock ad from 2014. It’s also a masochistic experiment where every rendered frame was smudged by hand in Photoshop in pursuit of a more organic feel, ugh! I’d do it again, though. 😂 🤖
Harness the POWER OF THE MULTIVERSE and never get bored again! But BEWARE! Contents of this loop are under pressure. Avoid prolonged exposure to light. Use only as directed. Side effects are not common but may include joy, astonshment, thrill, dizziness and occasional itching. If conditions persist, consult your physician. This product may contain peanuts, but I doubt it.
Flashback from “Hi-Energy Parallel String Accelerator”, a silly little mock ad / hyper-short film from 2013.
The script, VisDev, design + animation for the entire project had to be done in about 10 days. Fun times with TELETRANSFUSION, made for XLAB.
“I like pie, I like cake. I like everything you bake.”
A Collage-Inspired Flashback from the title sequence for a cooking show “SEASONED BY AMERICANS”. Done way back in 2013.
When I got the opportunity to work on this in 2013, it felt super special. Since it’s still lurking around here, I apparently haven’t changed my mind yet. 🙂 A Creative Compositing Extravaganza for “1001 CVET”, a tea company.
“We see the same things differently” The spaciest part of “MORELA” - an ad for a local Ophthalmologist company from 2014, where I had the pleasure of doing the VisDev + its translation to motion.
"IN BETWEEN" is a short animated art film that explores moments, caught amidst BREATHS and RUNAWAY THOUGHTS.
It's a meditative journey that can be suggestive and cathartic - but can we recognize internal freedom when we're feeding a rainstorm?
“GRAIN, BEHIND THE EYES”, a micro-short experimental film, that explores »snapshots« captured during mindful calmness. More HERE.
Finding new ways on how a title sequence for a cooking show can look like. Apparently, it looks like the letter P. 🤷
Creative Compositing Experiment from “POLONA ON FIRE” from 2015, done for FELINA FILMS.